Added magazine scans from the German version of Elle and the May issue, enjoy!
Categories Interviews Magazine Alerts Pictures UNHCR Special Envoy
‘Harper’s Bazaar – April 2018’ scans
Here is magazine scans with Angelina from the ‘Harper’s Bazaar – April 2018’ issue that we posted about a week ago. You can view scans in the gallery and read the article/interview in our press archive.
Categories Interviews Magazine Alerts Pictures
Magazine Scans & Alerts
So we have several magazine alerts at the moment and Angelina is grazing many covers! Some we have scans of and some we still need so if you want to contribute, please do through here. And remember to go to our press archive to read all the latest interviews, we added the interview with Arabian Marie Claire today as well.
InStyle (US) – April 2018
Vogue (Russia) – April 2018
Elle (Singapore) – March 2018
Look (UK) – January 16, 2018
Missing:
Elle (China) – April 2018 (2 different covers)
Harpers Bazaar (US) – April 2018
5perc Angol (Hungary) – March 2018
Elle (Bulgaria) – March 2018
Elle (Czech Republic) – March 2018
Elle (Serbia) – March 2018
Elle (South Korea) – March 2018
Elle (Ukraine) – March 2018
Party Medycyna Estetyczna (Poland) – March 2018
Harpers Bazaar (Indonesia) – February 2018
OK! (Pakistan) – January 2018
The Hollywood Reporter (Russia) – December/January 2018
Angelina will be in the April 2018 issue of InStyle Magazine but they have already published the online version. So you can either read it at their website or in our press archive.
On a chilly January evening, Angelina Jolie nestles into a couch inside the highly fragrant Guerlain boutique on Paris’s Champs-Élysées. We’re meeting to toast the launch of Mon Guerlain Eau de Parfum Florale, for which she is the face. Jolie’s face, apart from softly smoked eyes, looks natural. “We’re all pretty natural,” she says of her family. She takes her time as she discusses her makeup skills (they’re good, but daughter Zahara is more the enthusiast), her skin (cared for by a dermatologist since she was 11), and her views on what it’s like to age when you’re known as one of the world’s most beautiful women.
When Angelina visited Kenya last year she was photographed at some type of event that we wasn’t completely sure of what it was but it was actually a fashion show for RefuSHE. Yet another cause that Angelina and the Jolie-Pitt Foundation supports and you can read more about it in the Harper’s Bazaar article below or in our press archive. And go to RefuSHE to check out the scarfs and accessories available for sale and/or donate to the cause!
In all her years as an Academy Award–winning actress and director, Angelina Jolie—the most glamorous woman on the planet—never went to a fashion show. “I hadn’t been to one before,” the United Nations High Commissioner for Refugees (UNHCR) Special Envoy says of the experience of finding herself seated front row during a visit to a refugee shelter in Nairobi, Kenya, last June. “But it was my kind of runway: the most beautiful girls, survivors with their heads held high, bringing forward their own designs and culture; showing how it’s possible to find your femininity again after it has been brutally attacked.”
The shelter Jolie visited on World Refugee Day is run by RefuSHE, an NGO that seeks to fill a crucial gap in care for girls and young women between the ages of 13 and 23 fleeing Somalia, South Sudan, and other war-torn countries in the region. “All the girls I met had been separated from their families or had seen their parents killed,” says Jolie. “Almost all had suffered sexual violence, and many had given birth after being raped.” RefuSHE provides counseling and shelter and conducts a multidisciplinary education program.
With the support of UNHCR, RefuSHE also encourages economic empowerment by teaching the young women to make colorful scarves using resist-dyeing, a traditional East African technique similar to tie-dye. This gives the refugees a marketable skill that can help set them on a path toward financial independence. One hundred percent of the proceeds from the scarves they make are reinvested into the program and its artisans; since 2010, nearly 70 percent of them have become self-sufficient.
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